3rd of August: “Commuter” Edition

I’ve decided I don’t like coming into London during the week. As befits my status as “a bit of a waste of space” ™, recently I’ve been coming in to the centre, wearing shorts and sunglasses, and overlapping with various segments of commuters on the train, all besuited and miserable, and god. Nothing quite like it to remind you you’ve done nothing with your week.

Nothing but read a bunch of stuff! The advantage of “commuting”, of course, is I read a bunch of stuff – which is good for you, as you don’t even need to do the commuting bit (unless you do anyway, in which case, sorry)

Song of the week isn’t exactly a song so much as an indulgence. Despite realising their audience is apparently mostly 14, and despite their hawking their songs to every awful thing from the Olympics to Twilight, I still have a lot of time for Muse, if only out of loyalty to high-school me. This week’s song is the three-part ‘symphony’ off the end of The Resistance, ‘Exogenesis’. It’s ridiculous, self-indulgent, and just a bit beautiful. It’s also twelve minutes long: luckily, there are a lot of links this week.

  • Two posts on the international response to Vladimir Putin’s actions in Ukraine. One arguing for a more assertive policy, and one praising the restrained one so far. You choose*
  • Interesting article examining different scenarios for China’s rise to challenge the narrative of its inevitable hegemony
  • What are NATO and the EU’s rapid response forces good for? Also wrote an article about this, which I submitted about three hours before reading – annoying.
  • Mean Girls reference and slamming right-wing orthodoxies? Sold. On Mitt Romney, the ‘fetch’ of presidential candidates
  • Damning piece on the aftermath of the Libyan intervention
  • The Early Warning Project present their assessments for risks of state-led mass killing in 2014 – interesting for my dissertation, but also for you
  • Adam Elkus has some problems (to say the least) with US policy in ‘AfPak’
  • Bitterly funny.
  • Quite nice interview with someone who I assume is famous in the States on travel, food, and …war
  • I don’t know how the hell to summarise this piece without sounding mad. One of their pictures might help:

    taken from The Atlantic

  • Reassuring blog by Tom Chivers on the Ebola outbreak.
  • There was a lot of money sloshing around for contractors after the Afghan and Iraq war – this piece looks at someone who made a lot of money from them, perhaps not too ethically.
  • Charlie’s got more thoughts on development – interesting ones
  • Lovely piece from Roxane Gay
  • Dorian Lynskey has an excellent feature on the egregious example of cultural appropriation that is the ‘festival headdress’
  • Mythologised history is fun, but it’s nice to know the truth about les taxis de la Marne
  • Speaking of mythologised history, this (multi-part, not sure which link I’ve given you) “degenerates” into mid-century Swiss army fan-fiction (as if that’s a bad thing), but is interesting on the German plans for an invasion of Switzerland in WW2
  • Ally Fogg is not unhappy that men’s appearances are getting more scrutiny than in the past
  • This sounds appalling to me, because strangers, but quite an interesting concept – like blablacar but for food
  • This is nice, somewhat encouraging, stuff by Bim Adewunmi
  • The pieces from the New Yorker archive are starting to come through. This week, celebrity profiles! First up, this is cool on George Clooney
  • Didn’t mean for this to happen, honest, but GQ’s interview with Kanye West is great, and it was right next to this very interesting (quite old, pre-Red) profile of Taylor Swift** in my bookmarks. I’mma let you finish indeed.
  • Got endless time for writing about Confessions
  • This is inexplicably funny.

Weekly reminder that if you’d prefer, the Reading List is available in newsletter form here, and with that, I bid you bubye. Enjoy the weather or something. x

*currently writing something on Parliament’s report on the issue, so watch this space

**god this has been a week for “guilty” pleasures, hasn’t it? Muse and Taylor Swift (who even my teenaged sister (ie, Swift’s target audience) rolls her eyes at me for liking).

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